Realized in collaboration with The Fondazione Isabella Scelsi, which holds Giacinto Scelsi’s archives, and performed at the Festival Roma Europa and the Festival Aeterforum during May of 2005, the album’s four works - Estratti dal Quartetto per archi n.3 (1963), Ko-Lho (1966), Riti: I Funerali di Carlo Magno A.D.
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In 2005, this process led them to invite Matmos, the American duo of Drew Daniel, Martin Schmidt - acclaimed for a body of visionary albums at the vanguard of electronic process and sampling - to collaborate on a series of interpretations of works by the legendary Italian composer Giacinto Scelsi. Resting at the outer reaches of avant-garde chamber and electronic music - moving at a glacial pace of tightly wound energy - Pranam’s two sides radically rethink the terms electroacoustic music in ways that still feel radically ahead of their time, more than 15 years after they were first laid to tape.Ī modular chamber ensemble with a pointedly anti-academic approach to music, over the course of its activities - running roughly between 19 - Alter Ego developed a devoted following among some of the most forward thinking voices in experimental music, all the while collaborating widely with artists spanning a vast range of practices and disciplines, including Robin Rimbaud, Philip Jeck, Pan Sonic, Matmos, Gavin Bryars, Andrew Hooker, William Basinski, David Moss, Alvin Curran, Terry Riley, and near countless number of others.Īlter Ego’s diverse activities can be understood as interventions with the disposition toward formality within contemporary chamber music, often pairing themselves with artists working well beyond their own context as a means to develop highly original interpretations of a specific composer’s work.
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Tracks like 'Waterfall' and 'Staring At Infinity' mix lulling vocals, real instruments and a funky groove to soften the end the LP.Diving into the archives of Alter Ego - the experimental ensemble of Manuel Zurria, Paolo Ravaglia, Aldo Campagnari, Francesco Dillon, Oscar Pizzo, Fulvia Ricevuto, and Eugenio Vatta - Die Schachtel is thrilled to present Pranam - A(Round) Giacinto Scelsi, a never before released body of recordings interpreting the works of the legendary Italian composer Giacinto Scelsi, made with Matmos (Martin Schmidt and Drew Daniel) in 2005. For us the latter part of the album really is the fantastic finale the mix deserves, winding the vibe down, while still keeping the energy strong. Another high point would be North Base's 'Ring Of Saturn'. The energy is insane, intense risers, a filthy squelching sub and constant requests of our visa. A huge highlight of the collection for us is the second track, DJ SS's 'Midnight In Moscow'. The LP the continues to move through a killer collection of metalic, grinding dancefloor, devilishly intense neuro and a whole heap of distorted, techy nastiness. The album starts with the epic harmonised vocals of the 2017 edit of last summer's smasher 'Forgive Me Lord', before descending into a twisted onslaught of mutated darkness. Get ready for a fast paced switch and blend with 20 badass tracks showcased in less than a hour for this commemorative LP celebrating the 10 year anniversary of The World of Drum and Bass in Moscow. Listening to the mixed album version of this LP you can't help but lose yourself in the up front barrage of sonic mastery.
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Trust us when we tell you he knows his stuff. You can't flick through any recorded history of our beloved genre without stumbling upon this DJ's well revered name. Review: Here is a man who needs no introduction, DJ SS has been a part of drum and bass' heritage since jungle was a mere twinkle in acid house's eye.